Meanwhile, Sharad also sells the rare CDs of obscure Hindustani musicians. Chaitanya Tamhane’s The Disciple, which became the first Indian movie to land a Venice Film Festival competition slot since 2001’s Golden Lion … Chaitanya Tamhane’s new film is a big step towards developing his own visual style and storytelling. One can notice the subconscious traces of these legendary filmmakers in the elfin beauty of Sobocinski ’s work that captures the pervasive desolateness of the city and the protagonist, best seen in the sepia portraiture of Sharad driving his motorcycle on the empty street of his promised path; a recurring sequence in the film. Chaitanya Tamhane’s film is a beautiful exploration of the intersection between the spiritual and physical worlds. The Disciple is an ode to music and a salute to Mumbai. Watching The Disciple was such a soothing experience. This vindicates Tamhane’s trust in his audience as much as his conviction in his screenplay. It’s the universal story of a youth who aims for the stars and finds himself with his feet tied to earth — and maybe that’s not a bad thing. The story set in 2006 is about Sharad a 24-year-old aspiring singer, who is preparing for a “Young Performer” competition as a Khayal vocalist. Often, he performs with his teacher and guru (Dravid), a white-haired vocalist of sublime gifts who is getting on in years. Not as compulsively watchable as its predecessor, the story suffers mainly from the unfamiliarity (in the West) of Indian classical music, which is likely to somewhat cool its appeal for non-Indian audiences. DP Michal Sobocinski shoots the concerts and most of the action in austere head-on, long-held shots and in quiet colors that look as natural and unfiltered as possible. The tension within the protagonist continues to be built till a staid Sharad has an encounter with a music critic who rips off the almost-sacred image built around Guruji and Maai. This movie is beautifully directed with on the spot set pieces and full of Indian classical music. Photo: Chien-Chi Chang/Magnum Photos; Courtesy: Rolex Mentor and Protege Arts Initiative. Production designers: Pooja Talreja, Ravin D. Karde The movie received rave reviews from the critics at the carnival. All rights reserved. We see Sharad’s mundane and routine actions, such as flipping television channels or staring blank at the amateur musical contests, juxtaposed with the soberness of his promised path. Soon after this, Sharad is introduced to a famous music critic, who arrogantly shoots down his master and even casts vulgar aspersions on Maai. With sparseness, not minimalism, Tamhane remains considerably unhurried in his approach, keeping an amazing pace in conjunction with the music sung—slow, meditative and melancholic—as the rendering of ‘Jhannana bichuwa baje’ in raga jaunpuri in the opening sequence shows. Captivatingly told, The Disciple evokes memories of Shyam Benegal’s Unusual Concerts about Malikarjun Mansur. With one eye out to winning competitions, the singer-in-training, Sharad (Modak), easily fits into the narrative mold of movies like Whiplash and A Star Is Born as he studies under a fierce disciplinarian and sacrifices his private life to perfect his art. But it is in his moments of weakness and disgust with the ever-degrading musical standards around him that he makes contact with the character. 8:00 AM PDT 9/4/2020 It was published as a collection of six prose poems in 1894 in The Fortnightly Review. A very subjective and deeply contemplative portrayal, The Disciple, becomes a heightened contrast to Tamhane’s debut feature Court (2014) which dealt with the Indian legal system with an objective orientation. In a galvanising act, Sharad exits the stage abruptly, abandoning his performance. He’s 24 years old but getting married and having a family are out of the question; tradition says that until the age of 40, the student must simply practice and put such worldly matters aside. But caveats aside, the film has its own fascination that rises above the type of music being played and sung. The Devil's Disciple is a 1959 film adaptation of the George Bernard Shaw play of the same title. The film provides a harsh but necessary critique about the legend of the art form. Increasingly, he finds himself on a lonesome path and desolate streets. The ending, clever and ambiguous at the same time, comes out of the blue and leaves the audience thinking. | EU Privacy Preferences. Tamhane, as the editor, manages time to age his protagonist through cinematic devices — from his childhood, as a young adult in 2006 and then in contemporary times. Chaitanya Tamhane’s The Disciple becomes first Indian film since 1996 to play in main slate of the New York Film Festival Sep 29, 2020 - 4:17 pm IST There are two axes to this narrative: one, the character is shown through three stages—as a child, a young adult and a married man with a child; and, two, the relationship between the character and his guru, the guru’s teacher, and the city. The Disciple tells the story of a Indian classical vocalist who wants to perfect his skills after hearing past stories from his father and his music guru, about the legends in their field. In Marathi, Hindi, English and Bengali. With Aditya Modak, Arun Dravid, Sumitra Bhave, Deepika Bhide Bhagwat. November 23, 2020 zyllahsblog Uncategorized 0. The Disciple marks Tamhane’s return to Venice after he won the Best Film - Orizzonti and Lion of the Future award for Court in 2014. Sharad's character was often seen observing isolation. These distinct phases are subtle, be it the concert banner or the protagonist’s routine of flipping channels where he lands on the primetime television news show discussing Lynchistan. Production companies: Zoo Entertainment "The Disciple" is no exotic novelty, but a bona fide classic whose structure, dialogue and photography never miss a beat -- an apt metaphor as the main subject is the world of Indian classical music. He hails from a legendary family of cinematographers in Poland who were associated with the works of Krzysztof Kieslowski and Andrzej Wajda. In the New Testament, he is among the first of the disciples called during Jesus' ministry. Sitemap | Privacy Policy | Director of photography: Michal Sobocinski The Disciple is by no means a work that has a look of disapproval of modernity but suggesting to be the vanguard of the millennials coping with their problems in finding a firm footing in a world changed beyond recognition. Venue: Venice Film Festival (Competition) It's a sad story for the most part but that's what makes it realistic and adding classical music just made the experience to another level. The two other winners are Michelle Latimer’s documentary Inconvenient Indian and Philippe Lacôte’s Night of the Kings. Directed by Chaitanya Tamhane. Her character is present through a voiceover acted by veteran Sumitra Bhave. Also Read: ‘The Theme I Explore And The Truth I Strive For Are Personal’: Filmmaker Chaitanya Tamhane. Film is his melancholic story of stagnant life as opposed to — rapidly growing Mumbai city in backdrop. The tension foregrounds the lugubrious brooding of Sharad. The Disciple echoes its rigor and determination in exploring the struggles of an aspiring young singer, albeit at its own slow and thorough pace. EMAIL ME. The transitions from present to past at specific moments were beautifully conveyed to us by the director Chaitanya Tamhane. But as years go by, he starts to wonder whether it’s really possible to achieve the excellence he’s striving for. He receives the support of "Birdshot" Bivens, the sheriff of the county. Featuring two real, top-notch classical vocalists, Arun Dravid and young Aditya Modak as, respectively, the master and his disciple, the movie resounds with complex, pulsating music sung from the heart and meant to put its audience in a serene, highly meditative mood. No matter how long and hard he practices, he seems terribly far behind his master, and much of the film’s suspense is seeing whether he will ever catch up. His writing envelopes the viewer into the quotidian experiences of Hindustani sangeet of the Marathi milieu in Mumbai. There are two other defining characters— the city and silence. The Disciple has not yet been released in India. In so doing, Father Mike has run directly into conflict with the local Catholic hierarchy. The scenario won the best screenplay award at the Venice Film Festival. | California Privacy Rights Chaitanya Tamhane's masterfully composed second feature examines a lifetime journey devoted to the art of Indian classical music. Music: Aneesh Pradhan More poignantly, in this film we see Michal adhere to his grandfather’s dictum: cinematography is about “what to eliminate/what you don’t want to show”. As a producer, Gomber said he would worry about the cost of the South Mumbai apartment that became the set for Gera's story, which revolves around the tender romance between a young widow Ratna (Shome) who has been hired as the domestic help of a wealthy architect, Ashwin. Just how difficult his studies are is brought home in a graceful scene at a concert in a private home, with the family and their guests sitting on the living room floor, listening raptly. Court, poignant commentary on India's judicial system, also won the National Film Award for Best Feature Film in 2015 and was India's official entry for the Best Foreign Film at the 2016 Oscars. THE HOLLYWOOD REPORTER is a registered trademark of The Hollywood Reporter, LLC. The Disciple review. The Disciple Program movie is currently in Development . Set in the insular middle-class Marathi cultural milieu of Mumbai, the film unfolds with the story of a young musician Sharad, the disciple who has been initiated into the rites of Hindustani classical music complete with reverence and idealism. Unexpectedly, and honestly, he takes the homemade route to sexual relief. The Disciple. Terms of Use | This speaks more to Tamhane’s uncompromising attitude, which bears fruits. The master sings a long riff of glissando notes, then invites his students to repeat them. The Disciple makes a nuanced distinction between subject and the story; the film is not on Indian classical music per se, but rather the visceral world that the disciple occupies. An inertia wraps the persona of the character as the film revolves on this solitude of the artist. The price of such dedication, on the personal level, is high. The portrayal of his riyaaz is not pegged as pure schmaltz but an engagement with life as he fights the pornography of desires on his way to find his true self. Even the noisy heat and chaos of Mumbai is stilled in shots of Sharad riding his motorbike around an almost deserted city, lost in his thoughts. 128 minutes The same age as Tamhane, Sobocinski is no ordinary cinematographer. In the denouement, the disciple succumbs to the pressures of modernity. 'The Disciple' is a movie about a journey of an artist and how it pans out over the years. As film theorist André Bazin argued, long takes offer a notion of continuity, thus ‘attributing certain duration to the concept of time’. Narendra Pachkhédé is a critic and writer who splits his time between Toronto, London and Geneva. With his latest offering, Tamhane succeeds in transporting one into another world in just over two-hours, beautifully capturing the erumpent consciousness of Khayal, a genre of Indian classical music. I hope unlike his protagonist, Tamhane retains his rigour and practice in sustaining the depth of being an artist in a metropolis. Chaitanya Tamhane won the newly instituted Amplify Voices Award at the recently concluded Toronto International Film Festival (TIFF) 2020. “The Disciple” follows Tamhane’s stellar first feature, “Court,” which also looked at the complex role of music in Indian society, in that case through the lens of a corrupt judicial system. Producer: Vivek Gomber World sales: New Europe Film Sales (North America: Endeavor Content) And music is at its very soul. Sharad is a disaster. His father, who was his first voice teacher, failed to reach the heights as a singer, and it comes as a shock to hear someone opine that his knowledge of music surpassed his abilities. Sharad Nerulkar is our artist of interest & classical music is his pursuit. The film’s bow in Venice competition before it heads to Toronto and New York should assure it of a wide swathe of international audiences. In return he receives strict instruction and harsh criticism, but also a legacy of teaching from a legendary female vocalist named Maai, who taught his guru. Doing his own editing, Tamhane juggles the time frame to age his hero as the years go by. The Anglo-American film was directed by Guy Hamilton who replaced Alexander Mackendrick and starred Burt Lancaster, Kirk Douglas, and Laurence Olivier. After a two-year writing process, the screenplay emerged out of the earlier play which Tamhane wrote, The Grey Elephants in Denmark (2008). Cuarón recommending Michal Sobocinski as the cinematographer proves how valuable his role has been in this mentoring process. Executive producer: Alfonso Cuaron The story of Catholic iconoclast Michael Pfleger who made it his mission to transform the drug ravaged south side Chicago community surrounding his parish. Director, screenwriter, editor: Chaitanya Tamhane Each winner received a cash prize of $10,000, made possible by Canada Goose. Movie Rating: (Executive produced by Alfonso Cuaron, Chaitanya Tamhane’s film is a quiet and poignant character study that speaks volumes) Review by John Li THE DISCIPLE (2020) - MovieXclusive.com FAQ To address the issue of diversity, the Amplify Voices Awards are presented to the three best festival feature films by underrepresented filmmakers from the Official Selection. Aditya Modak, a trained Hindustani classical singer, captures the essence of the character Sharad Nerulakar, the disciple, a tremulous soul caught in the bind of modernity and tradition. And to embark on that quest, you will have to surrender and sacrifice.”. For a young filmmaker in search of a film language, Tamhane has shown an affinity for long-takes, pacing and close-ups. | Do Not Sell My Personal Information Having accomplished singers to act is not only a challenge but a casting coup of sorts. Saint Peter - Wikipedia. His mentoring suffuses every aspect of the production, including Michal Sobocinski’s stylised cinematography, capturing the tranquility of the Khayal; the twilight of solitariness and Naren Chandavarkar’s sound design, which abounds in the whisper of Khayal, compels a collective listening. In the development of his cinematic syntax, one can see his work in the mould of the Greek master Theo Angelopoulos. 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