We see Theodore through the lens of Jonze’s camera – calling attention to the fact that media is THE way we experience and see the world and how others see the world through our eyes. So incredibly, unbelievably raw, like a fresh, open emotional wound being explored and worked through in the most artistic of ways. It does an even better job of holding up a mirror to life in the digital age, right this minute. When we think hard about the narrative perspective in Stranger Than Fiction, it belongs primarily to Karen Eiffel (Emma Thompson), the novelist, and not Harold Crick (Will Ferrell). Is it like Sherlock Holmes' "The Woman," a phrase used to describe Irene Adler? These APPS are designed for people to reach out to the world – to find some sort of “universal connectiveness” to other people. Throughout this film we experience the blossom and decay of love and relationships. Connection with others is modeled by Theodore's connection with Samantha, and as they spend more and more time together, Theodore feels encouraged to connect with others in his life. There is a certain awkwardness and quirkiness that exists between humans and technology. Critic's Notebook: Spike Jonze boldly bucks the retro trend in creating a vivid future L.A. in 'Her,' a thoughtful meditation on tech and culture. Because Theodore has chosen to isolate himself from the world and from the issues he will eventually have to face, he is choosing to avoid responsibility. Her is a comedy-drama movie mixed with a bit of science fiction; It was written and produced by Spike Jonze in 2013. Ultimately, even though Samantha leaves, Theodore is able to take the feelings of connection that their relationship modeled, and use it to grow and evolve into a more emotionally open person. The aesthetic is minimalist, trend setting, and believably futuristic – only in that little has changed in Spike Jonze’s world compared to the world as we know it presently. It seems the writer holds that the importance and artistry of the summary is a vital part of most narratives. The film, in showing how intimate a person can become with their technology, questions what the nature of humanity is, the nature of technology. Does it describe her as in "the woman from the past who got away?" Spike Jonze’s Her examines one man’s relationship with just such an electronic device. Her study guide contains a biography of director Spike Jonze, essays, quiz questions, major themes, characters, and a full summary and analysis. If human emotion is predictable, Jonze hyper-emphasizes this depressing thought by constantly calling attention to Theodore’s physical body and Samantha’s spiritual presence. Experience, then, moves past the form of visual media and enters into the world of sounds, music, and verbal dialogues. With the intellectual capabilities of OS 1, we only need to be connected to our software and we are satisfied. The main character, Theodore, is in the midst of finalizing his divorce. Samantha is an "OS" or operating system, meaning that she is a voice on a computer, Artificial intelligence has, by this point in time, evolved far enough that it mimics a personality suited for intimate relations with a person. City dwellers connect to his character because he walks everywhere, takes public transit (city life), and his wardrobe circulates throughout the film. The last step is to sign the papers, but he has yet to do so and he has chosen to isolate himself from “Theodore represents a futuristic Everyman, the result of human experience enshrouded and infused by technology. In this sense, we can understand Jonze’s film through the eyes of Samantha. Samantha’s organic ability to adapt to Theodore and eventually intellectually surpass his own character makes her seem more human. By opening up to his nonjudgmental computer, he is able to look out at the world and realize the ways he is meant to be a part of it. This self-destructive behavior was also clearly operating in his relationship with Catherine. Was he being tasteful or is it because we are limited to Samantha’s perspective? スパイク・ジョーンズ Spike Jonze 本名 Adam Spiegel 生年月日 1969年 10月22日（51歳）出生地 アメリカ合衆国 メリーランド州ロックヴィル スパイク・ジョーンズ（Spike Jonze、本名：アダム・スピーゲル（Adam Spiegel）、1969年 10月22日 - ）はアメリカ合衆国の映画監督・脚本家・プロ … That question, perhaps the defining one of our existence, fuels Spike Jonze’s new movie Her. In contrast to the theme of loneliness and isolation, we watch as Theodore finds connection with the world around him, encouraged by his connection to Samantha. Starring Joaquin Phoenix (Theodore Twombly), Scarlett Johansson (Samantha), and Amy Adams (Amy), Spike Jonze explores the possibilities (and functionalities/benefits/limitations) of a romantic relationship evolving between a man and an operating system on his computer/cellular device: better known as Samantha. She longs to be more like a human being, and worries that the fact that she isn't physically manifest in the world (beyond the computers that control her) makes her less-than. Spike Jonze's new movie isn't just a vision of a possible future. Part of what was difficult about his relationship with Catherine was the fact that Theodore wasn't willing to open up. Her, c'est Samantha, Her, c'est votre ordinateur dont vous pouvez tomber amoureux dans ce conte de Spike Jonze... A la manière d’un Wes Anderson, Spike Jonze est un réalisateur qui aime nous raconter des histoires., Spike Jonze est un réalisateur qui aime nous raconter des histoires. Her by Spike Jonze WGA Registration #: 1500375 INT. Her by Spike Jonze details the life of Theodore played by Joaquin Pheonix. In this way, we see that Theodore avoids those around him and lives through escapist fantasies due to his depression. The Question and Answer section for Her is a great Spike Jonze’s Her Is a Piercing Commentary on Our Immediate, Online, Artificial Lives (Non-Spoiler Film Review) December 31, 2013 Her is now playing in New York City, Los Angeles, Toronto, Boston, Chicago, San Francisco, Seattle, and Washington D.C. Starts everywhere January 10th. Where we warm up to Samantha as a character - as if she had a physical being and essence - the name remains highly cold and uninviting. He tells Samantha that he kept a part of himself from his ex-wife, and that he didn't speak up when something was wrong or when he was feeling emotional. At the start of the film, Theodore is very depressed and isolated from the rest of the world. We see this theme particularly in the beginning of the film as Theodore plays video games, has phone sex, and refuses to hang out with his friends. She tells him, "We are only here briefly, and in this moment I want to allow myself joy." I'm sorry, we do not have the capability of creating playing cards in the site. He is often alienated and cut off from the rest of the world, until he begins an acquaintance with his operating system. Movie Analysis : Spike JohnzeDirected By Spike Jonze 1004 Words5 Pages By contrasting Theodore Twombly with his surrounding scene, Spike Jonze illustrates how relationship can possibly evolve in the future and affects human interaction with each other. While the film remains somewhat ambiguous and inconclusive, it brings up many questions about the nature of technology and its influence on human life. The film follows the ebb and flow of intimacy, the ways that connection can grow and evolve, then disappear, then develop again. 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